Biographical Sketch: Percy Bysshe Shelley (1792-1822)

Percy Bysshe Shelley was born near Horsham, Sussex, to a well-to-do, conservative family. In 1810 he went to University College, Oxford, but was expelled in his first year for refusing to recant an atheistic pamphlet he had published with a classmate. He married a young schoolgirl the following year. In 1813 he moved to London, where he worked for a number of social causes and came under the influence of the radical social philosopher William Godwin. Shelley fell in love with Godwin’s daughter, Mary Wollstonecraft Godwin (author or the novel Frankenstein), and eloped to Europe with her. Byron joined them in Switzerland in 1816 and followed them to Italy in 1818. Shelley was drowned when his small boat was caught in a squall on the Gulf of Spezia. Lord Byron eulogized him as “without exception, the best and least selfish man I ever knew.” The superlative opinion of friends did not reflect public opinion at large, however. Due to his radical social, political, and philosophical ideas and his unorthodox lifestyle, Shelley had few admirers in his lifetime. An avid student of Hume and Plato, he was deeply influenced by skeptical empiricism and idealism; he distrusted all claims to certainty – he never confessed a religious or philosophical creed – but held fast to his faith in the redeeming powers of love and the imagination. It is the latter that especially informs his poetry. In the influential essay “A Defence of Poetry,” he asserts: “A Poet is a nightingale who sits in darkness and sings to cheer its own solitude with sweet sounds.” His formal achievement was great: he worked in elaborate, elegant stanza forms, many of his own invention, and displayed a complex tone of voice, which ranged from passionate to dignified and urbane.

From The Norton Anthology of Poetry, 4th Edition.

A Reading of Lord Byron's "The Destruction of Sennacherib", as well as a Rap-interpretation.

Exercises -- Week 9: Lord Byron

Exercise 1:

Discuss the irony in Lord Byron's "Stanzas: When a Man Hath No Freedom to Fight for at Home".

Exercise 2:

It what ways reflects "Stanzas: When a Man Hath No Freedom to Fight for At Home" Lord Byron's own life? Would you consider this poem biographical? Motivate your answer.

Exercise 3:

Perform scansion on Lord Byron's "The Destruction of Sennacherib". What do you think is the purpose of the meter used in this poem?

Exercise 4:

Read 2 Kings, chapters 18 and 19, from the Bible (English / Korean). Why do you think Lord Byron based a poem ("The Destruction of Sennacherib") on this passage from the Bible?.

Assignment:

In groups of 3-6 members, do an analysis of "The Destruction of Sennacherib". What do you think was Lord Byron's purpose with this poem? Submit your group's assignment.

Extra Credit Assignment:

For extra credit, write an analytical paragraph for Lord Byron's "So We'll Go No More A-Roving". This is NOT a group work assignment.

Biographical Sketch: George Gordon, Lord Byron (1788-1824)

George Gordon Byron was born near Aberdeen, Scotland, to dissolute aristocratic parents who had fallen on hard times. Their difficulties were alleviated when Byron inherited his title at age of then. Upon graduation from Trinity College, Cambridge, he embarked on a two-year tour of Portugal, Spain, Malta, Greece, and Asia-Minor, during which he gathered much of the material for his most important poems. He became a celebrity overnight in 1812 with the publication of his first collection of poems, but notoriety supplanted fame when Byron’s affair with his half-sister, whom he had met as an adult, became public knowledge. His marriage collapsed and he was forced to leave England in 1816. He followed the poet Percy Bysshe Shelley to Geneva and Italy, then went on to Greece where he organized a contingent of soldiers to fight for independence from the Turks. After he fell sick in the woods during a training exercise and died, he was mourned as a national hero throughout Greece. His work was widely known in Europe and was immensely influential on the major European writers of his day. Perhaps his most significant contribution to literature was the development of the Byronic hero, a doomed but impassioned wandered, often driven by guilt and alienated from his society, but superior to it. Byron’s work was deeply rooted in the literary tradition; he turned to the past for models, drawing heavily on the Cavalier tradition of paying elaborate compliments to ladies, the satiric tradition of launching witty criticism of modern civilizations, and the narrative tradition. In Don Juan, his masterpiece, he uses the narrator to attack such institutions as the government, the church, and marriage; criticize such vices as hypocrisy, greed, and lust; and subtly extol such virtues as courage, loyalty, and candor. Although many critics considered the poem a wanton celebration of the misadventures of profligate, Byron himself called it “the most moral or poems.” His formal achievement was great. He worked with apparent facility in established meters, such as blank verse, terza-rima, and ottava-rima, and elaborate forms such as the ode and the Spenserian stanza. From The Norton Anthology of Poetry, 4th Edition.